"The Well" - Doctor Who s15e03 Review
An old foe returns...?
This review is going to have full spoilers at a certain point. No way can I talk about this episode without spoiling what itâs about. No spoilers to start, but just be warned.

Full disclosure: the rumor mill did reveal the big secret at the heart of this episode. I did know it going in, and it was still utterly thrilling. At the heart, itâs always better to not know things, but the best stories donât hinge on these moments. Itâs like knowing who goes home on this weekâs Survivor. Itâs better not knowing, but if the episode is doing its job, it shouldnât affect the interpersonal dramas that bring us to that moment.
For âThe Wellâ, thatâs extremely true. But this is also one of those episodes that did get a lot of hype because of that big spoiler online. Itâs also an episode that Moffat posted about on Instagram, touting it with âBlinkâs long day may be over.â While I donât think thatâs quite true, itâs clear why he said it and itâs fully fitting into the zone of Doctor Who thatâs straight for me. Much as I liked âLuxâ, this is the one to beat this season so far.
And itâs crazy weâre still in whatâs usually the traditional run of this seasonâs episodes. God.
Space Marines
The big thing that stuck out immediately was RTD (and his co-writer Sharma Angel-Walfall) doing an episode that features The Doctor and Belinda joining up with a band of space marines. Was a time where Doctor Who did this somewhat regularly, specifically in the 5th and 6th Doctor eras1. RTD never really did space marines during his tenure, the closest being probably âThe Doctorâs Daughterâ (and even then that was more of a military civil war thing on an alien planet, which is not the same). Heâs definitely played within the larger subgenre of âGunâ stories (âThe Impossible Planetâ/âThe Satan Pitâ comes to mind) but this sort of⊠rah military rah thing is practically nonexistent in Daviesâ world.
The biggest example of Space Marines (or the one that first comes to mind, anyway) is âThe Time of Angelsâ/âFlesh and Stoneâ, in which Moffat consciously rips off Aliens for his big episode where he brings back the Weeping Angels. There, the Space Marines are also members of the clergy, sort of Holy Warriors or whatever. Moffat covers them somewhat again in âA Good Man Goes To Warâ, but the whole point of that episode is that The Doctor doesnât give them a chance to do anything.
With âThe Wellâ, Davies does something similar. Considering that this is a sequel to a previous RTD story, itâs hard to say heâs not cribbing from Moffat in that respect. But also⊠I donât really care. The space marines aspect of this isnât the gross deference The Doctor shows in âEarthshockâ and he has a healthy skepticism, which proves correct when things start to go bad.
Sequel. ***Full spoilers youâve been warned
It is insane that RTD woke up one day and decided that he was going to try to top of one of the most popular stories he ever penned. âMidnightâ was previously untouchable, a perfect one-off, Companion-lite story that functioned like a play and drafted off of all of Daviesâs strengths and none of its weaknesses. Also, itâs one hell of a creepy episode. If itâs not in the top third of that season, itâs because Series Four is absolutely bursting to the seams with quality.
And yet, Davies deploys everything perfectly. He and Angel-Walfall build this off the tried-and-true template of The Doctor and his companion landing somewhere, learning about a problem, discovering the rules, figuring out the mystery, and then enacting a solution. The lead up to the big reveal is fantastic, with the cross-cutting intensity youâd see from a Davies cliffhanger only deployed in the middle of the episode when everything changes.
If thereâs an issue, itâs that this incarnation of whatever monster is on the planet Midnight isnât quite the simple incredibleness of whatever possessed Sky on the Crusader 50. And yet, Davies makes up for it in clever ways, tucking in fantastic blink-and-you-miss-it scares, fun plants (the shattered mirrors), and a terrific guest actress in Rose Ayling-Ellis playing the role of Aliss2. Davies continues to make Midnight some deep, upsetting planet where the nature of its threat are never 100% clear.
Gatwa is on fire here, aware that heâs getting a followup to an episode that probably scared the pants off him as a kid. His empathy and emotion as he tries to save Aliss and later Belinda really shine. Itâs not very often we see The Doctor on the back heel, but this is one of those great episodes where he is one. And, of course, Verada Sethu is great in her role as companion, even though her getting so excited to do another costume change is rather funny. Giving Bel the âI have to get homeâ arc is not as a narrative propellant, but not so good when these seasons are so truncated. Maybe she stays on the âI need to get homeâ track for the rest of the season and it doesnât get old. Weâll see.
So far, this is shaping up to be a great season. Even the clips for next week have me giddy beyond belief.
Random Thoughts
- Love the macho energy of assuming things were fine and the chaos that came from the resultant Code Red. Man, dudes, you sure showed that monster.
- Great little monster flits and hints all throughout the episode. Really amazing visual spookiness.
- RTD has worked really hard to create narratives that portray diverse casts. Here, Alisaâs disability ends up being an asset rather than a burden. He also gives the marines a visual text-to-speech function, which is great and futuristic and an easy-but-great way to be inclusive and normalize accessibility
- The overhead shot of the Aliss clock was so hokey and so stupid but so wonderful. Davies really bringing the fantasy. Stoked that itâs one of those problems/solutions that doesnât function on Newtonian logic.
- That last beat did feel like a bit of a stretch and a bit too Twilight Zoney, but considering that itâs left intentionally oblique as to what exactly happened here it did work for me.
- Millie Gibson next week!
Season 15 Rankings
- The Well
- Lux
- The Robot Revolution
The big obvious example is âEarthshockâ, which is a blast and a half the first time until you realize that Eric Saward really, really loves the prospect of military sci-fi in his Doctor Who. â©
I also love the way they direct her in the space. The openness of the set adds to the feeling that things are not going okay. It feels like weâre watching some weird stage show and itâs deliberately offputting. â©